Via graphjam.com:

Beautiful execution, and wonderful concept. Again, the type of idea it’d be difficult to sell an artist on.

Martin Solveig’s music video for Boys and Girls, featuring Dragonette (not sure who directed it):

Daybreakers, starring Ethan Hawke, directed by the Spierig Brothers:

From a post over at Arch Daily:

Typical cases of structure damage show portions of or whole buildings collapsing, but this is the first time that I see a building perfectly toppled.

The 13-story building is part of the Lotus Riverside complex in suburban Shanghai.  The cause of this epic structural fail is under investigation, but first sources claim that an error on construction and unstable soil conditions are the probable causes.

I can’t figure out why I think this is such a great music video, but I do. Great song, too.

Michael Jackson. Human Nature. Live. Brisbane.

Pretty incredible. This is something I had always wanted to do with MJ - shoot an intimate, unplugged special. Too bad. Because you know it would have been incredible.

From an article at PolitickerNY.com on Patrick Gaspard, a fixer for President Barack Obama:

In December 2006, Mr. Sharpton asked Patrick Gaspard to help him assemble an emergency meeting of about 300 activists, black nationalists, union and political leaders to decide on an appropriate response to the police shooting death of Sean Bell, an unarmed young black man.

At one point, things got ugly¸ with one activist criticizing the attendance of the teacher’s union president Randi Weingarten at the meeting.

“One guy who nobody knew got up and said, ‘I don’t know why we got the head of the teachers union here, these white teachers are destroying our community,’ and went off on her,” recalled Mr. Sharpton. “And Patrick ran over to me and said, ‘I think you should call for unity and talk about how important it is that whites, blacks, everybody march together. I could say it, but I think it is better for your to say if, for the crowd, and for your own beliefs.’

“And I got up and said it,” Mr. Sharpton continued. “And as I said it, he was whispering something in Randi’s ear, and Randi got up and started talking about how committed she was and she didn’t care who didn’t appreciate her working with Reverend Sharpton. And it occurred to me that Patrick was going around the room telling everybody what to say.”

How badly do I want to see a Michael Clayton 2?

This, from an earlier piece in the New Yorker on Obama’s campaign:

Campaigns are divided in two. On one side are the ad-makers, speechwriters, press secretaries, and assorted spinners, who manage a candidate’s image. On the other side are the field operatives, who find voters and deliver them to the polls. While the communications people operate almost exclusively in the world of perceptions, the field people operate in the world of hard data. David Plouffe, the Obama campaign’s publicity-shy manager, whom Obama praised as “the unsung hero” of his campaign in his victory speech last Tuesday night, comes out of the field side of campaigns. “Politics is about numbers,” Plouffe said to me a few days before the election.

Plouffe, who is forty-one, is thin and discreet, and his low profile in the press sent a message throughout the Obama organization that staffers were to be similarly reticent about attracting publicity. The catchphrase inside the campaign was “No drama with Obama,” and Plouffe channelled the low-key temperament of the candidate himself. “Barack went out and sought people who had a certain personality type,” Pfeiffer said. “They were people who had intentionally low profiles in Washington.” Of Plouffe, Pfeiffer said, “If he had wanted to spend the past five years of his life on ‘Crossfire’ and CNN, he could do that. He’s chosen not to do that.” When, in January, 2007, Pfeiffer interviewed for his job, Obama told him, “What I want around me are people who are calm, who don’t get too high and don’t get too low, because that’s how I am.”

Jon Favreau, a twenty-seven-year-old speechwriter who had worked for John Kerry in 2004, told me, “People were drawn to him and inspired by him in a way that you knew this was about electing Barack Obama. People had come from places where they were probably disappointed in politics. I was, after 2004. It was painful, and I didn’t know if I was going to do it again.” He added, “Even during tough times, everyone sticks together. There are not a lot of Washington [jerks] on this campaign.”

Alyssa Mastromonaco, the director of scheduling and advance, who had also worked for Kerry in 2004, said that she had some trouble getting used to the quieter vibe of the Obama operation. “When I first started on the campaign, at the very beginning of this one, I was one of the only people who had actually done a Presidential before,” Mastromonaco, who is thirty-two, told me. “And so we were on some conference call, and I was just completely irritated by something someone was saying. After the call, they came in and were, like, ‘Alyssa, this is a campaign where you need to respect other people’s opinions and you can’t be a [jerk].’ I was, like, ‘Oh, my God, these guys are serious!’ ”

Obama, who is not without an ego, regarded himself as just as gifted as his top strategists in the art and practice of politics. Patrick Gaspard, the campaign’s political director, said that when, in early 2007, he interviewed for a job with Obama and Plouffe, Obama said that he liked being surrounded by people who expressed strong opinions, but he also said, “I think that I’m a better speechwriter than my speechwriters. I know more about policies on any particular issue than my policy directors. And I’ll tell you right now that I’m gonna think I’m a better political director than my political director.” After Obama’s first debate with McCain, on September 26th, Gaspard sent him an e-mail. “You are more clutch than Michael Jordan,” he wrote. Obama replied, “Just give me the ball.” Obama’s confidence filtered down through the campaign and gave comfort to his staff during the bleaker moments of 2008, such as when Obama learned that he had lost the New Hampshire primary. After that, he told his longtime friend and adviser Valerie Jarrett, “This will turn out to have been a good thing.” Jarrett told me, “You would think you would have a lot of other things to say before you might get to that.” Favreau said, “His demeanor when he won the Iowa caucuses and his demeanor when he lost New Hampshire were not much different.”

Volleyball meets soccer meets ninjas (Asians):

That’s production art from Tim Burton’s upcoming take on Alice in Wonderland. It’s stunning. And not unachievable for the kinds of budgets I have access to - it just requires a lot of grunt work. But it totally makes me want to get started on the Bollywood short I’ve been wanting to shoot. And to actually go back to the script and pump up the imagination quotient. Too often I write to the budget, instead of surrounding myself with people who can bring a world to life regardless of the budget, which is what I should be doing.

And a look at Johnny Depp as the Mad Hatter:

Anne Hathaway as the White Queen:

And Helena Bonham Carter as the Red Queen:

Again, this just reinforces my desire to spend more time and money on character design, wardrobe, and makeup on future projects. Small details make a big difference. As do oversized foreheads.